I Aten’t Dead!

Readers familiar with the late, and wonderful, Terry Pratchett, will no doubt recognise this post title. Perhaps I should scribble such a sign and hang it in a prominent place on my website and blog, or even around my neck like Granny Weatherwax, as I am most definitely not dead at all. I am, however, exceedingly and impossibly busy, which of course means that I am also spending far too much time “pro-caffeinating” – that heady mix of procrastinating while over-dosing on too much strong coffee.

My to-do list last week ended up covering a huge number of varied projects, some of which I hadn’t even had on my radar until they arrived in my head.

  • I have put together and offered up a brand new writer’s group and workshop for women (Wild Women, Wild Voices, starting in May2019) as well as applying for council funding for said group. The rather brilliant Stella at Geographic Hearts will be helping me with this.
  • I wrote two new poems and entered one in an NZ poetry competition (Poems In the Waiting Room).
  • I wrote an article for the New Zealand Book Council exploring writing and mental health. (I will share that soon.)
  • I planned a comic book writing lesson to teach to young kids in my local area.
  • I had an awesome interview with fellow horror and speculative fiction writer Penny Jones, which I am super excited about sharing with you when it’s ready.
  • I even came up with a cathartic writing tool/app idea.

I am proud of all these achievements, although I am also pretty angry with myself. I lose focus, so quickly and so easily. I jump on to the next thing, and the next thing, and the next thing. I still need to make final edits on my debut anthology, and wow it is hard. I have lost all confidence in myself a hundred times over, only to rediscover it again the next day and cry; “once more unto the breach!”

I’m basically just muddling through, and hoping that whatever I create will be at least reasonably well-received. This is all new. I relish the many challenges I am encountering, but also I find no shame in admitting that they truly are a challenge. I admire absolutely anyone who can make this their “day job” and succeed.

Some days words flow like beautiful, crystal rivers onto the page, curling and twisting into glorious sentences.
Other times I try to write a description, and the best I can manage is, “the tree was very big, and made of wood.”

 

 

Onwards

I am going to be doing something very new this year which challenges me and frightens me, but also invigorates me and excites me. I will be offering workshops for women to help them find their Wild Voice.

I wrote this last year when I was just beginning to find my own Wild Voice and it feels very much like serendipity to find it again on the day I had made the decision to share my intentions with others.

*image credit Mohammad Metri on Unsplash

“Onwards” T.L.Wood 2018

She had faced her fears so many times that they no longer troubled her. The same demons hounded her days just as they had for many years previous. The same ugly faces and angry voices swam through both her dreams and waking life alike. They were nothing more now than a mere hindrance to her. Insects of Doubt and Insecurity who tried in vain to land on her, and which she swatted away with ease. No label could describe her now, no box would contain her. She had seen the reflection of her true self, and in an act of great defiance and rebellion, she had celebrated all that she had seen.

She knew that most others believed she was tired of fighting, but the truth was she felt no emotion either way. She had long since accepted that the fight was a necessary part of her, understood that her resilience was ongoing and infinite. She grew ever stronger from each encounter, learned about herself and those around her, and used that knowledge to better herself so that she might also be better equipped to help others. She accepted defeat as much as victory, knowing that the lesson did not come from within the conflict, but from what she could salvage from the wreckage, piecing together new parts of her understanding, and adding to her ever-changing self.

Through each hardship she persisted, in every challenge she prevailed. She stood up and spoke up and lifted up all those who needed her help. She would never turn away nor offer her surrender. She walked amongst the bitter ones and hurtful ones who sought nothing but to vanquish her, and gave no heed to their distain or vulgarity. She took the hands of her comrades and sisters, her friends and her lovers, and led them to seek their own freedoms. She gave them the guidance they requested of her, so that they could forge the pathways of resistance in their own ways.

She walked not as a goddess nor as a warrior, but merely as a woman who knew her own mind and had found complete confidence in herself. She had found Love, and it had grown from within her as much as she had received it from others. They called her a Wild Woman, as she would not be tamed, but instead she strode out of the howling darkness and carried her own light.

Just Write

Write the damn story.

What are you waiting for?

No, you don’t need permission from anyone.

If you’re doubting yourself because you don’t think you have the talent, that’s okay.

Maybe you don’t… yet.

But you have passion, and often that’s better.

You can learn the craft, but first you have to put the effort in.

You won’t ever improve if you don’t try.

The first draft is going to suck.

Yes, really, really suck.

It’s going to be the worst story you will ever write.

But the first draft is just you telling yourself the story.

Everyone you idolise had to start somewhere.

Some of the best writers now are only so because they’ve put a lot of work in.

There will always be better and worse writers than yourself.

Always.

Criticism can be painful, but also useful.

Learn to listen to, accept, and learn from every piece of feedback you get.

Realise that your friends and family will probably not be honest with you.

Seek others’ opinions, especially those of your peers.

Write the story you want to read.

Set goals, stick to them, hold yourself accountable.

Don’t wait for inspiration, just start.

Show up. Show up. Show up. Eventually the muse will show up too.

Do what your heart tells you.

Writing is an art. You’re an artist. Paint pictures with your words.

Write the damn story.

Gremlin

Sometimes, when I’m struggling with a larger project, a smaller idea will worm its way into my head and give me a palate cleanser. It helps me to refocus and just get in a little bit of writing practice without worrying about it having to go somewhere or be something. This one came about when I was doing some dusting and I found the gremlin figure I made last year, added to some uncertainty I’d been feeling regarding my progress and goals. It was a good way to help me reassess and feel a little more confident again.


He’s there again. The Gremlin. Sitting on my shoulder and whispering in my ear.

“You can’t do this.”

“You’re no good at this.”

“You’re going to fail.”

He sits there, smirking. His pin-sharp claws digging into my flesh. He knows I can’t ignore him, however hard I try.

Little bastard.

It’s mostly my own fault, of course, bringing him to life in the first place. It wasn’t so bad when he existed only in my mind. He seemed to do less damage then, confined only to an idea or a feeling. I could beat him better then.

It started as a joke. A careless post online, a mindless doodle. So well received, so many likes. People commenting back on how they identified with what I’d shared. It made sense to actually turn the concept into something tangible.

I made him one morning, out of bits and pieces that I had lying around. Clay and wire and paint and glue. Not much bigger than a tennis ball in the end. Purple skin and amber eyes, black whiskers sprouting from his cheeks. I bent his limbs, reinforced with wire, and posed him. Sat him on my desk and took a photo.

“Behold! My Anxiety Gremlin,” I announced, posting the image for my friends and followers to see.

“This is exactly what I imagine when I’m feeling nervous or unsure of myself. When self-doubt and uncertainty strikes.”

More likes. More comments. Yet more feelings of connection.

Then I sat him on a bookshelf and forgot about him.

It wasn’t obvious at first, the emotions started small and reasonably easy to ignore. Eventually, I was waking up with a heavy knot in my stomach every day. A feeling of nausea and cold dread that followed me around wherever I went. I did myself no favours by mainlining coffee and staying up too late. The anxiety I thought I’d left behind me had returned.

I was busy. Focused. Or at least that’s what I tell myself now. I had a deadline to meet, articles to write, an online presence to maintain. Even though I’d known for a while the system was toxic, and only served to feed my paranoia and jealousy. My usual self-care had fallen out of the window, I thought of nothing but my work. Of course he took advantage.

I thought he was a dream at first. Assumed I had fallen asleep at the keyboard and imagined it all. I was writing, hunched over and intense – my physiotherapist would have been appalled to see my posture. He stood in front of me, watching. He bared his yellowed and splintered teeth, flashed a mocking grin.

“You’re hopeless,” he hissed at me, still leering. “You know you haven’t got any talent. Everyone will laugh at you. Poke fun at you behind your back. Your writing is tired and boring. A child could write better stories than you.”

I jerked my head up in surprise. Disbelieving what my own eyes saw. I started to speak but he just laughed. A nasty, spiteful, giggling laugh, before leaping off the desk and disappearing. I tried to follow where he had gone, but he moved too quickly for me. Confused, I looked up to his usual spot on the bookshelf. There he was. Rigid and inanimate. Clearly I must have imagined our exchange. Hallucinated through stress and tiredness.

I sometimes wish I’d smashed him there and then.

He returned the next day when I was tired and demotivated. Criticised my lack of progress. I slapped him with my ruler and sent him sprawling onto the floor. He picked himself up and shook his fist. Shrieked at me that I would regret that. Instead of returning to his bookshelf spot, he wriggled underneath the sofa and vanished.

Day after day he would come to me. Sometimes saying only a few mean words, sometimes unleashing a tirade of filth. Always he would tell me how useless I was. How I was wasting all my time.

Every time I saw him I would swipe at him, but he was always too quick for me. He would skitter up the back of my office chair, and dig his nails in my shoulder. I would try to remove him, to knock him off, but his claws were well-rooted in my skin. I soon learned it was easier to leave him sitting there and do my best to ignore him.

He would read what I wrote from his vantage point and whisper criticisms until I was overcome with doubt. Only after I had deleted what I’d written and shut down my computer would he take a different approach.

“You don’t need to prove yourself to anyone,” he would tell me.

“Why do you care about what people think?”

“If you don’t do it now, you’ll never do it. You’ll have to live with the regret.”

It didn’t seemed to matter what I did. If I wrote or didn’t write, he would always have something nasty to say.

The more often he came, the longer he stayed. I tried ignoring him, reproaching him, pleading with him. Even feeding him at one point. That was very much a mistake.

I put him in a box one morning, only to find he had chewed his way out by noon. Bigger boxes would yield similar results. I could have bought him a cage, but it felt like too much trouble. I was certain he would get out eventually.

Until, at last, when I was almost at the brink of giving up completely, I realised something.

“You need me, don’t you?” I asked him one morning. “You would have no purpose without me.”

He scowled and growled and screwed up his eyes into small slits, but I knew I was on to something.

“I can’t just ignore you, that much is clear, and I can’t seem to keep you locked up for long. You know that regardless of how often you come and whatever you say, I’m not going to stop doing what I love. Besides, if I don’t keep on doing it, you will have no reason to be.

Oh, sure, you’ll spend a few days reproaching me, or telling me how worthless I am, but in time you’ll get bored of that. Eventually the Black Dog might take over instead, and even you’re afraid of him.”

He hissed at me and chattered his teeth. Annoyed that I’d finally figured out his game.

“Work with me?” I asked him. “I’m never going to be fully confident in my work, the Black Dog and the Imposter Syndrome Demons take good care of that, but you could help inspire me. Motivate me. You know damn well that every time I post something, send my work out into the world, I am crippled with nerves and self-doubt, even if I’ve been told it’s good. I’m never going to be free of you, but I’m so, so sick of having to fight you.

What do you even get out of it, you little shit?”

He watched me warily, clearly weighing up his options. He wasn’t used to me approaching him head-on like this. I’d smacked him before, sure, but he could tell this time was different. I’d got him over a barrel. He had no choice.

We came to an agreement, my Gremlin and I.

He still sits on my shoulder and makes comments on my work, and sometimes he takes it too far, but mostly we understand each other. How the process has to work. I don’t have to see him as a threat any more. He knows I can kick him up the arse. Granted, he’s annoying, but he also keeps me going straight. I need the nerves to remind me not to get cocky. To remember that I’m still learning and honing my craft.

Every time he gives me doubt, he also gives me something I can focus on. A subtle nod in a new direction. A feeling I can overcome.

I still hate the little bastard. But I can work with him.

He’s sitting there again right now.

“You’re ridiculous. Useless. Why do you even bother?”

*wink*

Heat Pump

To coincide with Women In Horror Month in February, I have released a sneak preview of the first story from my upcoming anthology Dark Winds Over Wellington. 

I am proud to say that it received an Honorary Mention from the New Zealand Writers College, annual short story competition 2018, and serves to set the chilling tone of the anthology.

You can read the full short story here.

 

Whistle while you work

I could not write or create without music. Music fuels me and inspires me and can turn a slow and unsatisfying writing session, into one that flows smoothly and without hesitation. A good playlist can make all the difference between getting those recommended 2,000 daily words down, and committing only two lines to the page. It is a complex issue, however, if the playlist is too good, all I want to do is abandon my task and get lost in the music.

I’ve listened to quite a lot of different songs and genres while writing “Dark Winds Over Wellington”, many of them are from movie scores or are instrumental only – less vocals mean I am equally less likely to get distracted – but some have simply been in my head since I started planning a story. Little snippets of a chord, or a fragment of song lyrics that get stuck in my brain. They travel with me as I write, becoming the soundtrack to the stories in their own right.

Just for a bit of fun, and to give myself a palate cleanser while battling with the editing process, I put together a Spotify playlist, a soundtrack to my chilling tales, which also serves as a little peek into what sparks my inspiration. It might not make much sense yet, not until they are linked with the words themselves, but all of them have a reason for inclusion and a connection with the words they compliment.

Photo credit by Mohammad Metri on Unsplash

The Waiting Room

Fact or fiction? … You decide.


It’s exactly two years to the day that I reacted to some medicine my doctor gave me, passed out, cracked my head open and gave myself a serious concussion. Two years since I almost choked on my own vomit and died. Two years since I visited the Waiting Room and knew I was being asked to make a choice.

I can write about it now and it seems more like a plot from one of my short stories. In fact, I have used it as inspiration for one. They always say it is better to write what you know.

What I know now for certain is that is has been two years since I realised I needed to make some big changes to my life. I was at a point where I felt I could not really visualise a good future for myself. A year prior, I had questioned the very point of me at all. The darkest time in my life by far, muddling through an illness that I had battled with for nearly seven years, one that doctors didn’t fully understand, let alone knew how to treat. I am so grateful for the support of my family and friends, those who helped me to find a way forwards, back into the light.

I had beaten that emotional demon then, only for my physical health to decline quite rapidly. I was sick of being ignored by the medical profession, every ailment implied to be all in my head. The fact was, it was in my head, but it was also very much in my body. I needed both to work. I thought I’d won before, but the bastard kept coming back, new and improved with a whole load of exciting symptoms. My GP wasn’t listening. She prescribed various drugs to appease me, to get me out of her way as quickly as she could. None of them helped.

I’m sure the doctors would like to say I brought it on myself that night, mixing alcohol with medication, but the truth was I hardly had a third of a glass, and as ill-advised as it may be, I’d had drinks while taking those drugs many times before. I still don’t know what was different that time. Maybe all things really do happen for a reason, maybe I just got unlucky. My body was delicate already, I should have taken better care of myself.

Regardless, I needed that bang to the head to finally wake up. To realise that if I didn’t do something drastic, I was at risk of having a mere existence, but never a rich or jubilant life. I changed my diet, I changed my outlook, I created goals for myself that challenged me, but were still attainable. Being in the Waiting Room had told me that I had nothing to fear. There was literally nothing in life that could scare me now. All bets were off. I was the master of my own making. Maybe I brought something back with me. Maybe it was simply someone or something sending me a message, delivering it in the most pointed way they could, so I could take it with me always in my heart.

When people meet me now they often comment on my resilience and my drive. The determination to achieve whatever goals I set. They wonder where it comes from. They congratulate me on never, ever giving up and for overcoming such terrible things in my life. I understand their praise and why they want to give it, but I never felt like I had any kind of choice. If ever I sat back and let it win – whatever “it” may be – I would be doing myself a disservice, especially when I knew I had the ability to beat it. Regret, if ever you experience it, should be for the things you have done, not those you didn’t do.

Two years since that night, and now I’m on the other side of the world. The demons may have followed me, but I’ll always push them back. The Waiting Room is everywhere, of course, it has to be. I bear a scar on my forehead to remind me of it always. I don’t intend on re-visiting it any time soon, although there have been moments when I may have been invited. I swam out too far in the ocean on New Year’s Day, almost got myself into trouble. It was a reminder; you can push out and you can push back but you always have to make sure you can get home. And I am very much Home.

I’ll decide when it’s time to leave, and when it’s time to stay. Right now I have a life to live, and I’m bloody loving it. The Waiting Room will simply have to do just that.

Coming soon…

dark_winds_cover_wp

To be published in March 2019.

Thirteen short stories of horror and suspense based around “the Coolest Little Capital”, Wellington, NZ.

For updates see my Dark Winds Over Wellington page

Beating the Black Dog with Black Tales

* header photo credit to Sara Rolin via Unsplash *

I haven’t always written horror, although I have been an avid fan of it since I first stumbled upon Stephen King’s ‘Pet Sematary’ when I was around 13. I always read books well outside my suggested age range, much to my mother’s chagrin. She supported my enthusiastic reading habit, but wished I would choose ‘nicer’ stories.

I grew up in a tiny village just outside of Whitby – yes, that of ‘Dracula’ fame – and every week a mobile library truck would park at the top of the village and honk it’s horn. Thanks to the help of the marvellous librarian, who was also a fan of horror and suspense, I moved on to such literary delights provided by Dean Koontz, Shirley Jackon, Clive Barker and Shaun Hutson, to name but a few. I have no problem admitting that I was a very weird kid, and books were more my friends than people. It was a horror book, not a teenage romance, that introduced me to my first sex scene. In retrospect it gave me a bit of a warped impression of what to expect.

As I grew up I put aside my love of horror, finding more joy in fantasies and thrillers. I’m not sure why, I think it was merely a journey of self exploration, the urge to sample other delicacies. I started to find horror was not as satisfying, being able to spot a plot-twist from three chapters in.

I told everyone who would listen that I was going to be a writer when I grew up. I churned out hundreds of short stories on a typewriter bought for me by my parents. I even made little books of my own.

Life rolled on, things evolved, and I started my career as a teacher. Quite by accident I wrote, and got published, three books for education – I emailed the publisher while drunk on vodka with the outline of a proposal. They accepted, I delivered, and they commissioned two more manuscripts.

I have to be honest, it was as boring as Hell. This was not the kind of writer I aspired to be.

More changes of circumstance and to my health, saw me forced to leave work to recover. I felt like a failure and a burden, and started writing poetry and short stories, to give myself some goals. Writing helped me process the depression and negative feelings that were threatening to consume me. I published some of them on a WordPress blog, but most of them merely languished on the hard-drive of my laptop, forgotten about and ignored. I got better, and bizarrely, I actually stopped writing for a while. Until once more, the horror bug bit me.

A chance meeting with Jamie Delano, the author of one of my most loved graphic novels, ‘Constantine’, inspired and encourage me. I began and completed my first and, so far, only novel, a modern Gothic mystery with a vaguely feminist twist. I was in the middle of editing it when my family and I decided to haul ass to New Zealand, and start a brand new life.

I love New Zealand, and I adore being here, but that first year was incredibly hard. Even when you expect the onset of culture shock, you can never truly be prepared for how it feels. How it messes up your head and makes you feel like an alien and an outsider. I lost a friend to suicide and the Black Dog woke up in me again. I turned to writing to help my mental health, recognising that being creative could not only keep me focused, but could also, hopefully, keep me sane.

As well as writing, I immersed myself in finding out as much as I could about New Zealand, and particularly Wellington, the city to where we had moved. I wanted to know more about the culture, the folklore and the people. It helped me to understand the accent, how people thought and felt, and it was incredibly interesting and enlightening. In September 2018 I entered a short story competition with the NZ Writers College for emerging writers in New Zealand. The theme was: ‘Nothing but hot air.’ I wrote a 2000 word story entitled ‘Heat Pump’. What seemed like an innocuous tale about a malfunctioning AC appliance, became a critique of sexist behaviour with a terrifying, supernatural twist. I didn’t win, but I did receive an honourable mention. Right then, I decided I was going to write and publish my own collection of Kiwi-themed horror and suspense. I didn’t want nor need anyone’s permission, and I didn’t much care if it was popular or not. I needed to write for myself.

I try to write characters more than action, I always have. Creating believable characters and putting them in terrible situations has always been what I am most good at and find demonically delightful. The horror I write now, is very different from the monster-focused tales I wrote as a teen. Now horror, for me, can mean many different things: a cancer diagnosis; the loss of a best friend; shapeshifters and vampires; or being dragged out to sea. I like creating a bait-and-switch, adding twists that people don’t see coming.

I am working on a collection of short stories all set in Wellington and the surrounding areas, which I will publish in March 2019. They all have their roots in legends or stories inspired by the ‘Coolest Little Capital”. I have a blog and website, but what I write there is incredibly different from my fiction. I like to write in a lot of different styles, to challenge myself. What I have found, however, that through writing for my mental health, but not necessarily about mental health, I have become much more settled as a person and a writer. I have exorcised the demons from my own head, and imprisoned them on the page.

Obviously, I do hope that others will read and hopefully like them, but I’ve found that sharing to an audience isn’t my most important goal. Using writing, and specifically horror, as a creative, cathartic tool, helps me process and dissect my feelings. Sometimes my characters win, but more commonly, they lose. That’s okay. Their literary deaths give me creative life. Horror for happy mental health.